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What (who) is épreuve de mise en page - definition

ARTISTIC TECHNIQUE

Mise en abîme; Mise en abime

mise en scene

VISUAL AND DESIGN ASPECTS OF A THEATRE PRODUCTION

MiseEnScene; Mise en Scene; Mise-en-scene; Mise en scene; Mise*En*Scene; Mise en Scène; Mis-en-scene; Mise-En-Scene; Mise en scéne; Practical locations; Misonscene; Mis en scene; Mise en scène

[?mi:z ?mise en scene's?n]

¦ noun

1. the arrangement of scenery and stage properties in a play.

2. the setting of an event.

Origin

Fr., lit. 'putting on stage'.

Mise-en-scène

VISUAL AND DESIGN ASPECTS OF A THEATRE PRODUCTION

MiseEnScene; Mise en Scene; Mise-en-scene; Mise en scene; Mise*En*Scene; Mise en Scène; Mis-en-scene; Mise-En-Scene; Mise en scéne; Practical locations; Misonscene; Mis en scene; Mise en scène

Mise-en-scène (; or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, both in visual arts through storyboarding, visual theme, and cinematography, and in narrative storytelling through direction. The term is also commonly used to refer to single scenes that are representative of a film.

https://en.wikipedia.org/wiki/Mise-en-scène

Mise en abyme

In Western art history, mise en abyme (; also mise en abîme) is a formal technique of placing a copy of an image within itself, often in a way that suggests an infinitely recurring sequence. In film theory and literary theory, it refers to the technique of inserting a story within a story.

https://en.wikipedia.org/wiki/Mise_en_abyme

Wikipedia

Mise en abyme

In Western art history, mise en abyme (French pronunciation: [miz ɑ̃n‿abim]; also mise en abîme) is a formal technique of placing a copy of an image within itself, often in a way that suggests an infinitely recurring sequence. In film theory and literary theory, it refers to the technique of inserting a story within a story. The term is derived from heraldry and literally means "placed into abyss". It was first appropriated for modern criticism by the French author André Gide.

A common sense of the phrase is the visual experience of standing between two mirrors, seeing as a result an infinite reproduction of one's image. Another is the Droste effect, in which a picture appears within itself, in a place where a similar picture would realistically be expected to appear. That is named after the 1904 Droste cocoa package, which depicts a woman holding a tray bearing a Droste cocoa package, which bears a smaller version of her image.

https://en.wikipedia.org/wiki/Mise en abyme